Parts #1 & #2 – Best Scene Script Readings: By Way Of Prague

Part #1 reading of By Way of Prague:


Narrator: Allison Kampf
Tucker: Geoff Mays
Ambassador Bowes: Steve Rizzo
Charlie Greyeyes: Sean Ballantyne

Part #2 reading of By Way of Prague:


Narrator: Allison Kampf
Sergei: Steve Rizzo
Washerwoman: Hannah Ehman

Winning BEST SCENE Feature Screenplay Reading: GREENWOOD, by Jody Hadlock, ,A.J. Orr

Based on a true story, a 1920’s African-American lawyer takes on the system to defend the residents of Greenwood, the all-black district of Tulsa, Oklahoma, when it’s destroyed by an angry white mob.


Narrator: Allison Kampf
John Ros: Geoff Mays
B.C: Sean Ballantnye

Winning 1st Scene Screenplay Reading: THE RED CLOTH, by Bo Svenson

 Largely based on historical facts, “The Red Cloth” tells of men and women fleeing the cruelty of early Christianity in what is now Norway, their arrival in North America five hundred years before Columbus, and the birth there of the first European child.


Narrator: Allison Kampf
Parks Canada Voice/Norse Boy (M): Sean Ballantyne
Young Norse (F): Elizabeth Rose Morriss
Grumpy Norse (F): Val Cole
Ibrahim (M): Geoff Mays
Thorall (M): Steve Rizzo

SCRIPT MOVIE: Total Fiction, by Lauren Unger and Larry Unger

 A story about the drug smuggling business into the USA during the 1960’s, One man was able to ride the wave of adventure, danger, and lost in his request for liberating Americans through fighting the prohibition of Marijuana.

Visual Design and Editor: Kimberly Villarruel

Produced by Matthew


Narrator: Allison Kampf
THE MAN and NARRATOR: Geoff Mays
Leah: Kyana Teresa
Conseula: Alicia Ryan
Betty/Receptionist/Female VO: Hannah Ehman
Eddie/Captain Pete: Steve Rizzo
Jerry Calvari/Movie Star: BIll Poulin


*Scene Synopsis:
Isabel is a GMO scientist who has just joined AgCorp, a large agro-chemical company. She wants AgCorp to fund her non-chemical GMO process to create seeds that thrive in extreme climates and harsh soil conditions. Lassiter, AgCorp’s CEO, wonders if her controversial project is too risky for AgCorp, or if it will make the century-old company more relevant to consumers looking for cleaner food options.

Editor & Visual Design by Kimberly Villarruel

Produced by Matthew Toffolo


Narrator: Lindy Thurrell
Isabel: Danielle Nicole
Haughton: Matt Barnes
Lassiter: Manny Pacheco
Jones: Steve Rizzo
IP Director: Geoff Mays

SCRIPT MOVIE: Day After Disaster, by Sara F. Hathaway

“An apocalyptic, adventure in which a dynamic woman, mother, and wife struggles, against all odds, to find her family, dead or alive, in a world being tormented by Mother Nature.”

Editor and Visual Design by Kimberly Kimberly

Produced by Matthew Toffolo


Narrator: Esther Thibault
Erika Moore: Danielle Nicole
Henry Duncan: Manny Pacheco
Steve: Matt Barnes
Dave: Geoff Mays
Doug Pennington: Steve Rizzo

Winning Feature Screenplay Reading: That 80s Guy, by Craig Fones, Larry Coulter

A Middle-aged man trapped under hypnosis still thinks it’s the 1980’s as he pursues his now divorced, old high school interest.


Barbara: Christina Leonard
Robin: Erica Levene
Narration: Carina Cojeen
Hayden Bell: Aaron Maxwell
Brandon: Aaron Williams
Asher: Geoff Mays

Hayden Bell, with his love of everything 80’s, has his 80’s music and style and a friendly smile. What he doesn’t have is enough courage to face the girl who he always liked, the popular prom Queen, Robin Stassler, and with their 30th high school reunion fast approaching, he turns to an alternative method for dealing with his fears. Hypnosis. As fate would now have it, the treatment may have worked too well as the lovable shy guy now turns into what he once was… a teenager in the 80’s! Now laser focused on making all the right moves with Robin. It’s up to his erratic brother, Brandon Bell, to get his mind in order before the rest of the class of 1988 finds out… or worse.

Producer/Director: Matthew Toffolo

Festival Moderators: Matthew Toffolo, Rachel Elder

Casting Director: Sean Ballantyne

Editors: Kimberly Villarruel, Ryan Haines, John Johnson

Festival Directors: Rachel Elder, Natasha Levy

Camera Operators: Ryan Haines, Temitope Akinterinwa, Efren Zapata, Zack Arch

TV SPEC Reading of THE FLASH – GODSPEED by Nader Hobballah

Watch the February 2017 Winning Screenplay.

Winning Screenplay – THE FLASH – GODSPEED
Written by Nader Hobballah


NARRATOR – Geoff Mays
BARRY – Philip Krusto
CISCO – Casey Estey
CAITLIN – Ursina Luther
JOE/JEFF – John Lester Phillips
IRIS – Talia Price


Genre: Action, Adventure, Drama, Fantasy

An anguished Barry Allen faces off against a mysterious Black Knight that matches him in speed and strength. All the while, he must come to terms with his ability to go back in time and the consequences of doing do.

Get to know the writer:

What is your TV spec screenplay on the show “THE FLASH” about?

The Flash: Godspeed Barry Allen Part One’ sees Barry going up against a fierce and mysterious black knight that seems to have it out for him. At the same time, he is haunted by past actions involving him time traveling.

Why does this screenplay fit into the context of the series?

In the context of the series, this screenplay would fit after Flashpoint and when things have seemingly settled down after the chaos Barry’s actions unleashed.

How would you describe this script in two words?

Two words I would describe this screenplay (Part One) would be Strong Setup.

What TV show do you keep watching over and over again?

I am not that big into TV these days, but The Walking Dead has kept me engaged mostly now because of Negan.

How long have you been working on this screenplay?

I have been working on the overall screenplay for a couple of months on and off. Part one took a couple of weeks after I decided to split it.

How many stories have you written?

I have Probably written more stories than I can count on both hands, but they are of varying quality.

What motivated you to write this screenplay?

I was motivated to write this screenplay after season 2 of the Flash disappointed me and the first episode of season 3 let me down. After that I passed off watching more episodes especially since CW lost them and Netflix is going to be a long while. In the meantime, I started thinking to myself how I would write a Flash story. I took influences from Dark Souls of all properties in crafting the villain. As well, I wanted some thrilling action scenes as well as an emotionally difficult arc for Barry to overcome, but achieve a sense of victory and closure.

It was initially a single screenplay, but after receiving very quality feedback, I realized the only way to satisfy all parties without compromising the story was to expand it into two part. It was worth it in my observation upon reading the final work. I hope the audience is also satisfied with it.

What obstacles did you face to finish this screenplay?

As I stated in my previous answer, the feedback indicated there was a need to expand certain aspects of the script particularly the side characters and the deeper origins of the villain. I made the decision to split it into two parts which gave me a lot of room to breath, but also forced me to consider new challenges.

Since it is two scripts, the need to maintain consistency between them was a must. Certain things that happen in two are explained in one, but if the explanations in one are not in sync with what is happening in two, the whole thing falls apart. As well, things set up in one need to have a quality payoff or their foreshadowing is just empty baiting that will turn off the audience.

Apart from writing, what else are you passionate about?

Aside from writing, I tend to read up on religion, history and politics. I used to be a big gamer, but I have mellowed out these days.

What influenced you to enter the festival? What were your feelings on the initial feedback you received?

What influenced my decision to submit for the festival was the need to finally showcase my writing to the professional circuit. After years of writing on and off, I wanted to see how far I have come and need to still go. What surprised me was how positive the initial feedback was. Most of the issues had more to do with technical structure and descriptions, but the response to the narrative essence was very enthusiastic. It certainly gave me a much needed boost and encourage me to write more consistently.

Any advice or tips you’d like to pass on to other writers?

I would say to writers to write, get feedback, and write some more. Read scripts to see the technical details of how movies are written and I will be honest, I have not done enough of that. As well, watch, and yes even play, the various entertainment mediums around and think about why you and others like or dislike them so much. Writing can be fulfilling, but it is not easy and a firm resolve is needed to stick with it.

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Winning Short Screenplay: APOLLO, THE SUN GOD by Scot Walker

Watch the winning June 2016 short screenplay reading.

APOLLO, THE SUN GOD by Scot Walker

Performed by actor Geoff Mays

Get to know the winning writer:

1. What is your screenplay about?

The year is 2016 and Apollo, the Sun god, who has just been retired by his old man, Zeus, after driving the sun around earth 912,500 times, reflecting on his life (and yes, the earth is still the center of the universe, that’s why it circles us as any fool could tell you. . . and one just did!)

2. Why should this screenplay be made into a movie?

It’s perfect as a short film and could be a lead-in for a major Hollywood production, such as THE GODS, Then and Now, starring Keanu Reaves as Apollo.

3. How would you describe this script in two words?

ironically funny

4. What movie have you seen the most times in your life?

The Wizard of Oz

5. How long have you been working on this screenplay?

1 minute

6. How many stories have you written?

Hundreds. Check out Winston Churchill’s American Cousin and Other Tales published by Writers Club Press or email the author at for more stories and more information. The author began writing in the late 1950s (and yes there are still writers alive from back then, just as Apollo is still alive from a near-similar time).
7. What motivated you to write this screenplay?

To see this wonderful play presented on wide screen, in 3-D, andv iewed by billions, including Hollywood moguls and all the rest of us . . . the most common riff raff the gods ever created.

8. What obstacles did you face to finish this screenplay?

Remember this to the day you die, fellow writers, as words of wisdom from the ancient gods: THERE ARE NO OBSTICLES, ONLY OBSTRUCTORS!

9. Apart from writing, what else are you passionate about?

Gay rights, protecing the rain forest and the ecology of the planet, World Travel (I’ve been to over 100 countries), gardening, music, reading, animals.

10. What influenced you to enter the festival? What were your feelings on the initial feedback you received?

What were your feelings on the initial feedback you received? I am a published poet, short story writer, novelist and playwright. My plays have been produced extensively in my region (Washington DC) and I’ve helped edit seveal short films. This is my first full lenght one-minute film and my extended family (which represents Vietnamese, Haitians, Iberians, Puerto Ricans, East Africans, Russians, and Latinos) and I shall be filling the Verizon Center watching it as it airs across the universe.
11. Any advice or tips you’d like to pass on to other writers?

Write, fearlessly


Director/Producer: Matthew Toffolo

Casting Director: Sean Ballantyne

Editor: John Johnson