LA Feedback Film Festival Testimonial – April 7 2020

Molly Waterman

Thoughtful and encouraging feedback, and the team was easy to communicate with. I really appreciate all the insight and loved hearing my work read by talented actors – thanks so much!

Submit exclusively via Film Freeway:

The fastest growing film festival in the world today:

Your film will get screened in front of a large, broad audience.

– We are a feedback festival and you will actually hear what people and film lovers think of your film.

– Your film is screened and then talked about with the audience, lead by a Professional Industry moderator.

– We then post the audience feedback video online right after the festival for you to watch.

Watch 100s of Recent Audience FEEDBACK Festival Videos for Examples:



Theme of night: Persistence

Watch the Audience FEEDBACK Videos:

festival posterWE, 9min, Mexico, Animation/Documentary festival posterNOBRE ARTE, 9min., Brazil, Documentary
festival posterPAINFUL SILENCE, 8min., USA, Documentary festival posterPHOTOS IN THE RAIN, 10min, USA, Documentary
festival posterTHE SALTY GENERATIONS, 7min., USA, Documentary festival posterDOLLMAKER, 8min., Finland, Documentary
festival poster#WELAGENTE, 5min, USA, Documentary
festival posterEMERGENCE, 3min., Australia, Documentary
festival posterBLESSING, 6min., USA, Documentary

The 11th event in Los Angeles in 2019.
1 more festival event in 2019.

See you at the festivals.

– Matthew Toffolo

Director Biography – Olivier Hero Dressen (THE PASSPORT)

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Olivier “Hero” Dressen is a Belgium director based in Shanghai since 2012. He have been drawing since He was a kid and directed animation films on digital and 16mm films. He also love to mix different techniques such as photography, drawing, graphic design,
video, etc. His primary directing style is characters driven and storytelling. Commercials, Music Videos, and Shorts his career as a director started in 2000.

In 2012 I began a side career as a photographer for portraits, fine art, fashion and editorial magazines.
Now I am currently based in Asia but also work overseas.

Director Statement

Michael and I met through a mutual friend several years ago. Our passion for film and film making led to a creative partnership still strong seven years later. Our first collaboration was “The Passport” which was produced and shot within three weeks of finalizing the script. “The Passport” addresses our idea of identity and memory.  “We are what we remember” illustrates the fragile balance between our existence and the fear of loosing who we really are. This project is personal to myself in particular, as I experienced a degree of memory loss in the past, and realize the importance of how precious and fragile our memory really is.

Regarding my cinematic inspirations and influences, Memento and Drive are two films who really set the tone for me. Memento because of the movie’s subject and his main character’s quest and Drive for the colors, mood, esthetics and music. The film score, as a music video director and part-time musician, I really wanted to express emotion through the music and aim to create a poignant connection between the character, the score and the audience. As I financed, produced and directed this movie myself, the post production process was quite a challenge. I spent a lot of time on a rough edit, both image, sound and visual effects using a variations of post production tools and techniques. From Adobe Creative Cloud Suite to Cinema 4D and Substance painter and even ADR for some sequences. I went back to some of the locations with a sound kit capturing water drips or ambiance noises in the streets of Shanghai etc to give it more depth and realism.

I also learned a new 3D software for this project, Substance Painter was used for some of the 3d texturing process. I found it to be a very intuitive software which allowed me to paint and create a very 3 dimensional texturing. My idea was to create an advanced draft version as close as possible to my vision and seek help from experienced and high end specialists back in my country of birth, Belgium. And thanks to a talented group of people we managed to complete the film and get it to the level it is now.
Our film is finally starting to hit festivals around the world and we hope that our audience will also be inspired and equally passionate for this film.  Our next challenge is to produce a feature film together as we don’t want let Bryan Boise rest for too long.
Michael and I are currently based in Shanghai, China. We continue to collaborate on film projects, which we hope will come to life across screens worldwide in the near future.

Short Film: THE PASSPORT, 15min., China, Drama/Film Noir

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Somewhere in a big city, a man wakes up in a dark alley with no memory of who he is or how he got there. On a mission to figure out his identity, he discovers truths that were better left forgotten.

News & Reviews

Director Biography – Joseph Picozzi (SERIAL KILLER SUPERSTAR)

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Joe Picozzi is an award winning director, writer and producer. In 2015, his short film I WANT TO BEAT UP CLARK PETERS screened worldwide, most notably winning a silver College Television Award (College Emmy) from the Television Academy Foundation. Joe is currently an MFA candidate at the University of Southern California’s School of Cinematic Arts, where he recently completed his latest short film, SERIAL KILLER SUPERSTAR.

Short Film: SERIAL KILLER SUPERSTAR, 6min., USA, Comedy/Horror

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A beaten-down actor in Los Angeles sets his sights on becoming a
serial killer after his favorite ice cream is discontinued.

  • Film Type:
    Short, Student
  • Runtime:
    5 minutes 55 seconds
  • Completion Date:
    May 24, 2018
  • Production Budget:
    1,500 USD
  • Country of Origin:
    United States
  • Country of Filming:
    United States
  • Film Language:
  • Shooting Format:
    Sony Fs5
  • Aspect Ratio:
  • Film Color:

Director BIO: Sigal Erez (WHAT’S YOUR NUMBER?)

Director Statement


The movie has powerful narrative, action, and perhaps most importantly an extremely relevant message, not only about the Holocaust, but about the forgotten bond between Blacks and Jews. A bridge is formed to close a huge gap between generations who do not know about each other’s history. We also see how ignorance remains today about stereotypes.

My hope is that we will realize that we are all noted on a list much higher than a tangible one; that each one of us is a divine soul in God’s eyes. When the intention is purely from the heart, miracles happen.

An extraordinary D.P. named Daron Keet agreed to shoot the film with top film equipment and a great crew for less than his usual compensation. Daron Keet: “Working with female directors is great because they are not afraid to ask questions and advise… I would love to work with Sigal Erez on any film.”

An A-list post production house led by Marcel Lehrer felt a strong connection to the film subject. He and his team (Paul Ratajczack, Mark Ettel, Hall Cantrell, Scott Radke, Patrick Sullivan) worked after hours on all aspects of the post production. From original score to sound design, they worked without being compensated.

My son Jacob, a 13 year old, operated the drone for a scene at the end of the film.

I am both grateful and emotional when I think of the many challenges and sacrifices my son and I made, but at the end we had angels coming our way.

I strongly believe that until now women were lacking opportunities. There were assumptions that women, for example, cannot direct big action movies. Or that women can only do a soft love story. My goal, and I’m sure most women would agree, is that we are not limited. We’re able to tell all kinds of stories. And we should be given an equal opportunity to create and to do so.

This story to me is about bringing two people together, who otherwise, wouldn’t meet each other. In life, it’s those surprising encounters that help us break stereotypes, preconceived notions, and show us at the end of the day that our basic, most important factor in life is love and kindness.

I believe Women in Film is an excellent platform for a creator like myself. My stories are very diverse. They reflect the many cultures, religions, and people that are influential in my life and who I have been exposed to. With an international family, several languages are spoken at our dinner table, and our looks are very diverse. We are adamant about not creating categories, not judging, and always being with an open heart to meet a person and judge their character based on our own experience with them.

I want to be an impactful storyteller. I want to make movies about extremely various subjects. I will make Women in Film proud.

Thank you for your consideration,
Sigal Erez