If Your Characters Don’t Care, The Audience Won’t Either by Harold Jackson III — FilmCourage.com

Film Courage: Two characters, one room, one movie. Any tips or lessons you can share? Harold Jackson III, Writer/Director [UNARMED MAN Movie]: Approaching a two-person, one-room film should essentially be the same approach you take in any other film. The approach I take is to treat all of my films like action films because my […]… Continue reading If Your Characters Don’t Care, The Audience Won’t Either by Harold Jackson III — FilmCourage.com

First Assistant Directors: Who Are They? — The Script Blog

During the filming process, the First AD is the guy in charge. Or the woman. He/she organises the shooting, what will be filmed and when. His/her mission, to harmonise the production requirements with the director wishes, which is never easy, sometimes plainly impossible. 28 more words via First Assistant Directors: Who Are They? — The Script… Continue reading First Assistant Directors: Who Are They? — The Script Blog

Best “Making Of” Books Ever: EASY RIDERS, RAGING BULLS — The Script Blog

How the Sex-Drugs-and-Rock ‘n’ Roll Generation Saved Hollywood. This must be THE book about American movies from the 60s to the 80s. We are not technically dealing with a “Making Of” book here, but this marvellous piece of work tells… … 30 more words via Best “Making Of” Books Ever: EASY RIDERS, RAGING BULLS — The… Continue reading Best “Making Of” Books Ever: EASY RIDERS, RAGING BULLS — The Script Blog

Three Giants of Cinematography — The Script Blog

Nestor Almendros, John Alcott, and Roger Deakins. Of this great triad of Gods of Cinematography, only Deakins is still with us, working at full throttle. Nestor Almendros Spanish by birth (Catalan to be exact), Cuban by adoption, French by most… … 18 more words via Three Giants of Cinematography — The Script Blog