The Western ceased as an artform in early 1993, when Clint Eastwood’s Unforgiven closed the chapter on a much-loved and rarely-maligned genre. Westerns were wholly post Manifest United States, though their premise has been recycled through Shakespeare and Kurosawa, setting the human experience against a backdrop of nothhingness – as the desert has sand and […]
via [2016] Hell or High Water — The Academy Nominees Project
Los Angeles feedback film festival 